I happened to read an article by communication expert Raul Rebane recently, in which he describes today’s life in Estonia as not having the ability to dream. We have reached a crisis of dreaming, he says. True, at the first glance, everything seems to be achieved and once the summit of dreams has been reached, one does not really know what to want more.... Read more
1.–7.01., Tallinn 6TH BACHFEST TALLINN
1.–8.01., Tartu 4TH TARTU WINTER MUSIC FESTIVAL
7.–15.01., Pärnu PÄRNU CONTEMPORARY MUSIC DAYS
20.01.–2.04., across Estonia FESTIVAL „SCHOOL DANCE“
21.01., Tallinn INTSIKURMU WINTER FESTIVAL
21.–22.01., Elva MONOMANIA
25.–29.01., Tallinn DOCPOINT TALLINN
27.01.–5.02., Tallinn, Tartu, Pärnu, Jõhvi, Saint Petersburg MUSTONENFEST... Read more
On October 27, I went to listen to Vaiko Eplik and watch the recording of Mati Unt’s production “Stiil ehk Mis on maailma nimi” (“Style aka What is the Name of the World”, premiere October 31, 2003). Both were in Von Krahl’s Kinosalong (Cinema Saloon) programme. I was not the only one, there were around 100 people there. However, I was one of only three that stayed until the end. Kinosalong is one of the most fantastic and beautiful events, consisting of music and a theatre recording. Think about it: the first hour was filled by jokes and brackets by Eplik who also sang – the second hour offered the recording of „Stiil ehk Mis on maailma nimi” by Mati Unt, one of the most exciting directors of Estonia. In conclusion – nothing could be more stylish or beautiful than these two things put together. Nor funnier, in a way.... Read more
Last week Tartu was filled with the gems of Estonian theatre, because one of the biggest theatre festivals in Estonia, called “Draama” was held. ... Read more
If the description of a performance says that it could either be an extraordinary mix-up or an experience or a combination of those, you’re mentally prepared for something strange. My visits to a real festival were at the time I actively participated in the school theatre and that was over ten years ago. As far as I can remember, a festival always consisted of a couple of pieces that forced out laughter (some worked, some slipped on a banana peel and splashed on the asphalt), a couple of more classical stories with a beginning, end, and midpoint, and a few weird compositions, which flirted with video art as well as abstraction. Henrik Kalmet’s solo performance “A Festival Piece or a Desperate Attempt to Get an Invitation to a Festival”, in which he plays with the components of different festival pieces, was something similar. ... Read more
Five directors with five different stories, all connected by Von Krahl Theatre. A mise en abîme where you, as a spectator, can see people sitting on the same benches but at different moments, with the chance of sneaking backstage and to actors’ dressing rooms, being a witness to the playing and recording process.... Read more
Performance “b o n e r”.
By and with: Iggy Malmborg.
Technical solutions and dramaturgical support: Maike Lond.
Photos: Maike Lond, Tani Simberg.
Co-producer: Kanuti Gildi SAAL.
In collaboration with : Baltic Cricle Festival (Helsinki), Inkonst / Works at work (Malmö / Copenhagen).
Premiere: 12.11.2014, Baltic Circle Festival, Helsinki.... Read more
Iggy Malmborgi performance „b o n e r“... Read more